Wednesday, February 2, 2011

Ground Blindmakingjute

Bright Star: aesthetics Copyright 2010


(Claude Monet 'Garden of iris')

Bright Star, whose title is taken from a sonnet by Keats entitled' Bright Star, Would I were steadfast as thou art ', is yet another masterpiece by Jane Campion, director of New Zealand is famous for the extreme sophistication of its work, steeped in references Read the literature, music and art.
The film, presented at the 62nd Cannes Film Festival in May 2009, recounts the last three years of the life of John Keats and his troubled relationship with Fanny Brawne, his neighbor, cut short by the tragic and untimely death of the poet only twenty-five years.
to capture the interest of Jane Campion it was the romance between Keats and Fanny, a story can not but lived in the middle of unconventionality than when taken shape. Initially
too far away to be able to truly understand, John Keats and Fanny come on tiptoe one in the world of the other, colliding, and finally accepting, will lay the foundations for what which will become a great and passionate love. Both the rebels, than when they lived, Keats and Fanny went against all the prejudices inspired by the explosive power of this love Keats wrote the best work of his life in the three years of living with Fanny, and her, a woman ahead of its time , did not fail to shock with their creativity that was expressed through the beautiful and original clothing that was created by myself.
Two souls made to meet, albeit for a short, intense period of time.
But Bright Star, in addition to being a poignant film is a true work of art cinema. Jane Campion, in fact, has always stood out for the incredible attention to aesthetics dedicated to his film, which often seems to take precedence over substance: some scenes have such a beautiful figure to make almost hypnotic, quietly leaving the rest. This wonderful photo, complex and refined, is undoubtedly the result of a long and careful study, which draws inspiration mainly from the art of great masters, seeing is believing!


(Berthe Morisot, 'In the garden Maurecourt')


(Berthe Morisot, 'Young woman who sews')



(Edouard Manet, 'The family Monet in the garden')



(Claude Monet, 'In the meadow')



(Gwen John, 'Young woman with black cat')



(Pierre Auguste Renoir, 'The path in the tall grass')



(Pierre Auguste Renoir, 'lovers')



(Claude Monet, 'Spring')



(Edward Hopper, 'Morning sun')



(Pierre Auguste Renoir Head of a woman in profile)

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